The Fragile Giant

2015 | Resin | 0.02cm (w) x 0.0157cm (h) x 0.01cm (d)

The smallest animal sculpture is “Fragile Giant”, a life-like sculpture of an elephant measuring 0.157 mm in height and created by Jonty Hurwitz (UK) in 2015.
— Guinness World Records, 2015

We are excited to be launching 2000 images of this elephant taken in a Scanning Electron Microscope as NFTs.
Collectors of the NFTs will also get a share in the sculpture itself and will officially have the smallest asset in the world. We are super excited about this project and are currently working on the details. It’s coming soon!

To Scale: Fragile Giant juxtaposed with Human fingerprint.

 

PROVENANCE REVIEW

See all the latest articles and blogs about the Fragile Giant
(and plant some trees at the same time)

Cover of Advanced Materials Journal,  March 2016.   Yetisen, Ali K.; Coskun, Ahmet F.; England, Grant; Cho, Sangyeon; Butt, Haider; Hurwitz, Jonty; Kolle, Mathias; Khademhosseini, Ali; Hart, A. John; Folch, Albert; Yun, Seok Hyun (March 2016). "Art on the Nanoscale and Beyond" (PDF). Advanced Materials. 28 (9): 1724–1742. doi:10.1002/adma.201502382. PMID 26671704.

Cover of Advanced Materials Journal, March 2016.

Yetisen, Ali K.; Coskun, Ahmet F.; England, Grant; Cho, Sangyeon; Butt, Haider; Hurwitz, Jonty; Kolle, Mathias; Khademhosseini, Ali; Hart, A. John; Folch, Albert; Yun, Seok Hyun (March 2016). "Art on the Nanoscale and Beyond" (PDF). Advanced Materials. 28 (9): 1724–1742. doi:10.1002/adma.201502382. PMID 26671704.

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The Microscope

 

Why the fragile giant?

We have come so far! We can place a microscopic elephant between the grooves of a human fingerprint, but we don't seem able to save the species from our own hands..

Ivory-seeking poachers have killed 100,000 African elephants in just three years, according to a new study that provides the first reliable continent-wide estimates of illegal kills.
— National Geographic, 18 August 2014
Confiscated elephant tusks and boxes of figurines carved from ivory sit in the main hall of the National Wildlife Property Repository, in Colorado.PHOTOGRAPH BY KATE BROOKS, REDUX

Confiscated elephant tusks and boxes of figurines carved from ivory sit in the main hall of the National Wildlife Property Repository, in Colorado.

PHOTOGRAPH BY KATE BROOKS, REDUX

This elephant sculpture is just over on tenth of a millimetre high. It is walking along the stark and perilous landscape of a human fingerprint. It can be destroyed by a human breath.

Advert for Chugai Pharmaceuticals using the elephant..

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Ground-breaking film made in a scanning Electron Microscope (SEM)

This revolutionary new filming technique draws on the early days of the film industry. Using Stop Frame Photography to painstakingly create moving image.

Using a Scanning Electron Microscope (SEM) at high magnification, hundreds of images of the nano sculpture were captured as a Piezo stage was rotated to a precision of below one ten thousandth of a degree.  Each individual frame in the sequence can take several minutes to capture (depending on resolution), meaning that one second of film can take up to 4 hours to film.  A painstakingly detaile d process, in which any micro-blip means starting again from scratch.  This is all done with an ground-breaking optical system developed by Stefan Diller, Wuerzburg, Germany called Nanoflight.Creator.  The only system in the world capable of SEM film.

An SEM does not use photons (normal light) to capture an image. The wavelength of light is too large to capture the details in the Elephant. Electrons are focused on to the elephant which is coated in gold and rebounds are measured, forming a “picture” based on the reflection intensity of the electrons.  The effect of this from a filmic perspective is that one is not operating in an environment of light.  Shadows and “colour” behave differently and at this quantum level and our traditional expectations of light have to be thrown out the window.  All manageable for a single picture, but when compositing thousands of individual photographs it becomes a different story completely.  A series of techniques and technologies drawn from the special effects world needs to be applied in post-production to create a stable film.

In summary, the creation of this film involves a wonderfully diverse set of creative energies from bespoke electronics and software, to quantum physics and leading-edge scientific tool to modern special effects.  A feat of art and science at its most beautiful.

In the Wurzburg  laboratory of nano photographer Stefan Diller

In the Wurzburg  laboratory of nano photographer Stefan Diller

 

How is the Elephant sculpture Made?

The structure is created using a ground-breaking new nano fabrication technology and a technique called Multiphoton Lithography. Ultimately these works are created using the physical phenomenon of two photon absorption. Art, literally created with Quantum Physics.

If you illuminate a light-sensitive polymer with Ultra Violet wavelengths, it solidifies wherever it was irradiated in a kind of crude lump. Some of you may have experienced a polymer like this first hand at the dentist when your filling is glued in with a UV light.

If however you use longer wavelength intense light, and focus it tightly through a microscope, something wonderful happens: at the focus point, the polymer absorbs TWO PHOTONS and responds as if it had been illuminated by UV light, namely it will solidify. This two photon absorption occurs only at the tiny focal point - basically a tiny 3D pixel (called a Voxel). The sculpture is then moved along fractionally by a precision computer-controlled stage and the next pixel is created. Slowly, over hours and hours the entire sculpture is assembled pixel by pixel and layer by layer.

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Failure was part of this journey

Elephant Failure
Elephant Failure
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CREDITS

THANK YOU TO THE AMAZING TEAM BEHIND THIS PROJECT 

CREDITS

Artist
Jonty Hurwitz

Studio Director
Yifat Davidoff

Concept Design Consultation
Yehiam Prior, Weitzman Institute

SEM Imaging and Nanoflights
Stefan Diller

Fabrication
Institute of Microstructure Technology, Karlsruhe Institute of Technology
Stefan Hengsbach
Florian Rupp
Klaus Bade

Chugai Advert Executive Producer
Takehito Shiina

Chugai Advert Producer
Terasawa Yoshinori

Advert Commissioned By
Chugai Pharmaceuticals
Clear and Black Productions

Modelling
Graham Walker
Tudor Fat
Samar Udawat
Elwany
Jonathan Seeney

Technical Consulting
Avi Mussel

Chugai Advert Video Production
Hideaki Harada
Goshka Szlachetko
Monica Merutiu
Caroline Keane

Music
Megan Wyler

Behind the Scenes Footage
Andy Bernard
Wayne Ferguson

Microscope and Stage
Mr. Lange c/o Stefan Diller
Budd Wentz
Graham Walker




 

Max Planck Institute
Stuttgart, 2020

This is a talk by Jonty Hurwitz on the relationship between the time, science and art. This talk explores aspects of the creation of the nano sculptures.

 

More nano sculpture by Jonty Hurwitz...

 Anticipated nft terms

150 Eth expected reserve price

Proposed share of first drop
25% will go to selected wildlife conservation projects in Africa

20% to the introducing gallery/partner

15% Production Team as pre-agreed with studio

20% Jonty Hurwitz (Artist)

20% Yifat Davidoff (Artist)